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Refection on Call Girl and readings

Reflection on Call Girl Reflection on Call Girl Call Girl is a brilliant film that gained prominence in about a fictionalized account of a Swedish political scandal. The scandal labeled Bordellhärvan implicated numerous politicians in a prostitution saga connecting them with underage girls. Consequently, these happenings and others elicited diverse reflections from scholars such as the article by Stijn Reijnders (Hedlong et al., 2010). According to the writer, ethnographic analysis of films such as Call Girl is mixed with real and imagined worlds meant to expose the daily occurrences of existence.
It also offers society a mirror to construct a desired reality. However, this differs with Hedlong’s perception who believes that films mainly achieve an aesthetic value and this revolves around explicit mystery and murder notable in most Swedish movies (Miller et al., 2008). Overall, the two authors agree that films have role to play in the wider society.
Notably, Hedlong continues with this trajectory by asserting that the location of Swedish Media is largely influenced by regional aesthetics as demonstrated by the Call Girl film. This shows that filmmakers have a role in transforming society while also entertaining the masses. Similarly, cinema as a modern invention of technology, according to Sundholm, should manipulate people’s thoughts, views, and perceptions toward a positive direction. Alternatively, Miller in his paper Global Hollywood attests on the muzzling culture of Hollywood of foreign cinema. Consequently, this curtails the growth of other forms of cinemas with creative and innovative messages as notable with Call Girl that castigates bad political behavior (Reijnders, 2008). In other words, artistic success is a challenge if industries do not allow cooperation.
Hedlong, O. et al. (2010). Murder, Mystery and Megabucks?: Films and Filmmaking as Regional and Local Place Promotion in Southern Sweden. In Hedlong, O et al (Ed.), Regional Aesthetics: Locating Swedish Media (pp.263-290). New York, NY: SAGE.
Miller, T. et al. (2008). Global Hollywood: No. 2. New York, NY: British Film Institute.
Reijnders, S. (2008). Watching the detectives. Inside the guilty landscapes of Inspector Morse, Baantjer and Wallander. European Journal of Communication 24(2), 165-181.